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      Philippe Sollers
      H

      2015 | Nakladatelství Spolek pro Prahu literární, z.s.

      Philippe Sollers’ groundbreaking 1973 novel H was inspired by the May 1968 Paris student/worker uprising, and, in its own right, performs a revolt against much that’s been taken for granted in the belles lettres. Described as “a music that is inscribed in language, becoming the object of its own reasoning” and as a…n “unpunctuated wall of words, an extremely active mass of language” , H does away with plot, character and setting–and, on the typographical level, with punctuation, capitalisation, or paragraph breaks–in order to attempt what Sollers himself called “an external polylogue.” The text performs an infinite fragmentation of subjectivity into a polyphony of ventriloquized voices where “words turn round and come back, producing a material fullness of pleasures” and “everything is organized into a splendid series of irrelevancies” . It is this fulness of H, this “suffocation” it produces, that might be, with Barthes, termed its “beauty.” Accommodating a vast range of tonalities, attitudes, modes, and ideologies, H makes a case in point of how a literary work should function according to Sollers: “A work exists by itself only potentially, and its actualization depends on its readings and on the moments at which these readings actively take place.” Philippe Sollers’ groundbreaking 1973 novel H was inspired by the May 1968 Paris student/worker uprising, and, in its own right, performs a revolt against much that’s been taken for granted in the be…lles lettres. Described as “a music that is inscribed in language, becoming the object of its own reasoning” and as an “unpunctuated wall of words, an extremely active mass of language” , H does away with plot, character and setting–and, on the typographical level, with punctuation, capitalisation, or paragraph breaks–in order to attempt what Sollers himself called “an external polylogue.” The text performs an infinite fragmentation of subjectivity into a polyphony of ventriloquized voices where “words turn round and come back, producing a material fullness of pleasures” and “everything is organized into a splendid series of irrelevancies” . It is this fulness of H, this “suffocation” it produces, that might be, with Barthes, termed its “beauty.” Accommodating a vast range of tonalities, attitudes, modes, and ideologies, H makes a case in point of how a literary work should function according to Sollers: “A work exists by itself only potentially, and its actualization depends on its readings and on the moments at which these readings actively take place.”

      Stav

      Nová více informací

      Skladem do týdne
      Odešleme nejpozději 17. 6. 2025
      200 Kč

      169 Kč

      O knize

      Stav:
      Nová
      Vazba: Brožovaná
      Počet stran: 172
      Jazyk:  anglicky
      ISBN10: 0993195504
      ISBN: 9780993195501
      Vydání: 1
      Vystaveno: 22. 5. 2025 7:35
      Číslo položky: 1242001

      O autorovi

      Philippe Sollers

      Philippe Sollers

      Francouzský spisovatel, literární teoretik, scenárista a režisér.

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